Tuesday, February 28, 2006


CONCLUSION of Mozart's ASCANIO IN ALBA and Bastien und Bastienne

That's right - this is opera number 5 in the Mozart Madness extravaganza - ALL of Mozart's operas, played in their entirety, in the order they were written.

This Naxos recording features - Chance, Feldman, Windsor, Mannion, Milner, Grimbert, Choeur de l'Université de Paris Sorbonne, Concerto Armonico.

A little "pastoral interlude" to brighten up a Tuesday.

BONUS: Bastien und Bastienne showed up! We will play that in its entirety also! Much, much Mozart today.

As always, LISTEN LIVE HERE or use the link to the right, and most of all - ENJOY.

Saturday, February 25, 2006


Who has which voice type?

Does anyone know where there is information on the distribution of
vocal types, even the basics (soprano, mezzo, tenor, baritone and bass)
in the population? I presume tenors and basses, for example, are rarer than
baritones, but is there data somewhere?

Boy has this question popped up LOT lately - so what do YOU think?

Wednesday, February 22, 2006


...after all, the piece isn't called "Alfredo's dad."

Ok, first of all, the title of her blog is a great inside joke in opera.
And this post just made me pee, it was so funny.

mets-traviata-hunka-hunka-burnin-tenor

What's Opera, Doc tips the viking helmet in your direction, MFA.

Now with operatic podcasty goodness!!

Update: Podcast is fixed! Easier to download...
Woo hoo!!
For all of you folks who like podcasts, have at it - http://whfropera.com/pod/podcast1.rss
I use Juice (formerly iPodder), my understanding is iTunes/iPod lets you use this feed as well?
Go here to get your podcaster
Posting will be once a week on Wed., as an archive of the live broadcast. Enjoy.

Monday, February 20, 2006


Tuesday Feb. 21st - Mozarts' ASCANIO IN ALBA - 10AM-1PM EST WHFR, What's Opera, Doc?

That's right - this is opera number 5 in the Mozart Madness extravaganza - ALL of Mozart's operas, played in their entirety, in the order they were written.

This Naxos recording features - Chance, Feldman, Windsor, Rannion, Milner, Grimbert, Choeur de l'Université de Paris Sorbonne, Concerto Armonico.

A little "pastoral interlude" to brighten up a cold, dreary Tuesday.

The show will also feature Intern Mira in her What's Opera Doc debut, and the premiere of a great Canadian basso profundo, Campbell Vertesi.

As always, LISTEN LIVE HERE or use the link to the right, and most of all - ENJOY.

Sunday, February 19, 2006


Detroit-area readers - Alfred Brendel in concert today at 3PM Feb. 19, 2006

The title pretty much says it all - I HIGHLY recommend coming down to the "Max" (the Max M Fisher Performing Arts Center) to see this renowned pianist peform.
3 PM today. Go HERE for more info, tickets.

Saturday, February 18, 2006


News from the West - Opera outside of New York

Tuesday, February 14, 2006


CONCLUSION - Mitridate Rei di Ponto - Tuesday, 10AM-1PM, WHFR -What's Opera, Doc? A coloratura-fest!

CONCLUSION - Mitridate Rei di Ponto - Tuesday, 10AM-1PM, WHFR -What's Opera, Doc? A coloratura-fest!
Today and tomorrow are going to be busy, busy, busy, so you get Tuesdays' post today.
Tuesdays Mozart Madness opera is a coloratura fest for the ears - Mitridate Re di Ponto, with La Bartoli, Natalie Dessay, Giuseppe Sabbatini, Juan Diego Florez, Brian Asawa, Sandrine Piau, and Helene Le Corre.
Christopher Rousset conducts.

Air time as always is 10AM-1PM EST.Click here to listen live to WHFR.
HAPPY HALLMARK HOLIDAY.

Thursday, February 09, 2006


Now with operatic-jokey goodness

Dima needed some humor! :)
Some of these are pretty old, but if you know opera, you'll get them!

Opera jokes

Q: What is the difference between a Wagnerian soprano and an All-Pro offensive lineman?
A: Stage makeup.

Q: How many sopranos does it take to change a light bulb?
A: One. She holds the bulb while the world revolves around her.

(there is a variation on this one)

Q: How many sopranos does it take to change a light bulb?
A: One. She gets her accompanist to hold her Diet Coke for her and watches while the world revolves around her.

Q: What is the difference between a soprano and a Porsche?
A: Most musicians have never been inside a Porsche.

Q: Did you hear about the female opera singer who had quite a range at the lower end of the scale.
A: She was known as the deep C diva.

Q: What is the missing link between the bass and the ape?
A: The baritone.

Q: What is the difference between a Wagnerian soprano and a Wagnerian Tenor?
A: About 10 pounds.

Q: How can you tell when a tenor is really stupid?
A: When the other tenors notice.

Ever hear the one about the tenor who was so off-key that even the other tenors could tell?

Q: How many tenors does it take to change a light bulb?
A: Six. One to do it, and five to say, "It's too high for him."

Person 1: It must be terrible for an opera singer to realize that he can never sing again.
Person 2: Yes, but it's much more terrible if he doesn't realize it.

Q: Dad, why do the singers rock left and right while performing on stage?
A: Because, son, it is more difficult to hit a moving target.

Q: Mom, why do you always stand by the window when I practice for my singing lessons?
A: I don't want the neighbours to think I'm employing corporal punishment, dear.

Q: How many altos does it take to change a light bulb?
A: None. They can't get up that high.

Opera is when a guy gets stabbed in the back and, instead of bleeding, he sings.

Not at all opera-related - Fred, the undercover kitten

Linus, (pictured) the WOD mascot is relieved:
Fred, the undercover kitten

Tuesday, February 07, 2006


A Priest walks into an opera house...

Monday, February 06, 2006


Mitridate Rei di Ponto - Tuesday, 10AM-1PM, WHFR -What's Opera, Doc? A coloratura-fest!

Today and tomorrow are going to be busy, busy, busy, so you get Tuesdays' post today.
Tuesdays Mozart Madness opera is a coloratura fest for the ears - Mitridate Re di Ponto, with La Bartoli, Natalie Dessay, Giuseppe Sabbatini, Juan Diego Florez, Brian Asawa, Sandrine Piau, and Helene Le Corre.
Christopher Rousset conducts.
Regular readers know that I worship the ground La Bartoli walks on, Dessay is no slouch in my book, but that movie "Le Rossingol" was a bit goofy, I still think Asawa's sound is too one-dimensional (I'm basing that on his performance as Oberon - leave it for the mezzos - slaps his hand) and Florez? Now, I am no tenor-phile, but you gots ta admit, the man has chops, people.
My assumption is that he will take up as the leading tenor of the Italiante sound, and replace the Pav.
What are we going to call him? Le Florez? Hey El Guapo in DC, do you have any suggestions?
Air time as always is 10AM-1PM EST.Click here to listen live to WHFR.

Sunday, February 05, 2006


A feast of bass-baritone goodness

And that, dear readers, is a wonderful thing.
What's Opera, Doc? would like to give an official shout-out to no guru, no method, no teacher A wonderfully opinionated, opera-friendly, bass-baritone-phile weblog, with an architectural appendix and, go figure, even a stage-design-ish spin-off. Oh, and, by the way, it happens to be written in Italian.
So suffice it to say, I understood very little of it - but it has PICTURES. Of bass-baritones. MMmmm...
;)
Enjoy.

Friday, February 03, 2006


Who wrote only one opera? - search terms

I get the above search term ALL THE TIME, so I figured it is time to answer it! :)
Some great composers have written only one opera, the supreme examples being Beethoven, whose Fidelio is regarded by many as the greatest of all operas, and Debussy (Pelléas et Mélisande), while others have written none, this would include Brahms, Bruckner, Elgar, Mahler, and Ives.
There are many 20th-21st- century composer who as yet, have written only one opera, and time will tell before they join that august list of "composers who wrote only one opera".

Thursday, February 02, 2006


On Tour and Hating Every Minute of it

Nils, otherwise known as "that voice in my promo you hear at the top of my show". (OK, AFTER Elmer Fudd people) has written a great post on what its like to tour solo as a perfomer.

Flip side? What its like to tour as a crew member. The show? Beehive - a pastiche of Motown, Brit-pop solo artists from the 60s and other similar era girl groups. Each performer (there are 4) has certain "turns" she does. That is to say, the same singer performs Aretha and Tina Turner, the other does Diana Ross and Grace Slick, the third does Dusty Springfield and Lulu - you get the idea. The 4th is the narrator.

There is a pit band live onstage, not the pit, whose members change every city stop. Only the music director (who also plays 2-3 instruments) is the same.

And there are costumes - oh my, are there costumes. Each performer changes about 30 times, and 2 of us who get to keep track. Oh, AND we have to sing backing vocals on offstage mics when we're not doing changes. Uck.

This is a bus n truck tour, so we get on the bus, drive from city to city, stay in hotels or apartments, and if you're on the crew - DO NOT GET A SINGLE F-ING DAY OFF. Or half day for that matter. For MONTHS. Because of the costumes, the unending costumes that have to be repaired, (or not, but I'll deal with that later) or shoes that have to be repainted, or laundry, OH MY GOD THE LAUNDRY. Or how about the performer who will only wear a specific brand of hosiery, and you are in butt-f-ck Egypt and the drugstore doesn't carry it?

Then you get to hear screaming, Lots of it, and then she blows out her voice yelling at you and then the stage manager yells at you. But we all know she smoked enough weed the night before to kill a horse, and thats why she's hoarse. (cute, huh?)

Anyone who thinks all women are dainty and perfumed has never been backstage with a bunch of dancer/singer/actresses, thats for sure.

So I mentioned repairs? Here's a cute thing that you don't know about performers. (whispers) they are needy. Shocker, huh? So sometimes they feel like they aren't getting enough attention (because only 799 of the 800 seat audience applauded the previous night) and they "create" something for you to fix, so that the other girls can see that they are getting fussed over.

And because this type travels in packs, its like a disease - and they ALL start to get needy. And then the lighting guy starts doing one of them,so you lose your "bitch and moan" buddy and life becomes a real hell-hole.

Ah, but I forgot about the musicians. These guys are a real piece of work - they are "jobbers" - they can read charts and that is their only redeeming quality. They usually have not enough personality or talent to play in a band, so they job from theater to theater, doing pickup work. And I mean that in every connotation. First they try the performers, but none of them are hip enough for the girls, so then they have to try with the crew. My assistant was younger and stupider than me, and I spent WAY too much time dragging her out of stupid situations.

And every day is check into the theater at 9AM, unpack all the costumes. Do the laundry, do the repairs, set the dressing areas, setup the quick change booths, prep the booths. Then you have to go shopping for makeup, for hosiery, for whatever crap hey lost broke intentionally left behind. By this times, its about 5PM. So you eat whatever the stage manager picks up for you, and then you have to stay and wait for the ladies to arrive so that you can mostly watch them get dressed and makeup. (you have to be there in case they need help, even though they do this every day in real life without your help).
Once they call half hour, you check all your quick change booths, you move to your first cue, and then you run the show.
After the show, you pre-soak tomorrows laundry, wash the hadnwashables and hang them to dry, pick up after the slobs, and pray a bar is still open. Rinse and repeat for a week. Except for the one day when someone destroys their costume and you get to make a new one. From scratch. On a counter in the dressing room because there is nowhere else to put the sewing machine. With none of the original supplies used.

Then on Sunday, after the 7PM show, while the performers go to an after-party usually thrown by the management, you get to pack. And pack. And pack.
And then get on the bus.

And now you know why I have in my heart such a great loathing for all that is musical theater.

Ok, you say - thats a bunch of girls. What about guys?
Here is my one great example of just what a pain male singer/dancer actors are: One night, we couldn't find the white shirt. The basic white shirt that every actor had as his base. We searched EVERYWHERE. Except one place. Apparently "hang your shirt up with the hangers provided" translates to: "wrap it around the pipe under the bathroom sink".

Enough said. (Hey Nils, did I pass the audition?)

Wednesday, February 01, 2006


A stopwatch and a pitch pipe - is that anyway to enjoy opera?

Ok, so the basic premise is wonderful - operaphile leaves his entire estate to a small opera company in Texas. Full article here.

But one line REALLY jumped out at me...[re: the Met broadcasts]" Mr. Bailey, a computer analyst for an oil company, spent his retirement listening to the same broadcast, sitting in a recliner holding a stopwatch in one hand and a pitch pipe in the other to critique the performances, said Mr. Bell."

Far be for me to tell what other people what to do or how to listen, cause the truth is, I'm just SO DAMN happy they listen. But it just doesn't sound like much fun.

Just my 2 cents folks.
~wod~